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27 July 2010
Shirley & Lee: I'm Gone (1952)
I'm Gone written by Dave Bartholomew and Leonard Lee performed by Shirley & Lee with Dave Bartholomew & His Orchestra recorded in New Orleans, LA, 24 June 1952 issued as Aladdin 3153 in November 1952
The "Sweethearts of the Blues," Shirley Goodman and Leonard Lee, had 20 singles issued on Eddie and Leo Messner's Aladdin label between 1952 and 1959. This was their first release, reaching #2 during the winter of '52-53.
Too Soon written by Sonny Skylar & Bob Harris performed by Jimmy Ricks with Nook Schreier & His Orchestra recorded in June 1952 issued as Mercury 8296 in August 1952
Two years after his efforts with Benny Goodman for Columbia, this was Jimmy Rick's second release independent of The Ravens.
With the exception of Lee Gaines, I can not think of any other bass singers, of that era, that had the range that Ricks had, not only musically but vocally. He could sing any style. The more I listen to these solo recording, the more I realize just how talented a singer Jimmy Ricks really was. If you need further proof, list him along with Jimmy Rushing and Joe Williams as one of Count Basie's band singers, singing with Basie for a few years before his death on 2 July 1974.
Oh, Babe! written by Louis Prima & Milton Kabak performed by Benny Goodman & His Sextet recorded 10 October 1950 issued later that same month as Columbia 39045
Benny Goodman - clarinet Teddy Wilson - piano Terry Snyder - drums Terry Gibbs - vibes Johnny Smith - guitar Bob Carter - bass
Jimmy "Rickey" Ricks is heard, on the "vocal chorus" along with, uncredited, Nancy Reed. It is not know if it is the band or The Ravens helping with the "call-and-response" vocals during the middle portion of this recording. The group had just been signed to the label from National, but they may had some contractual obligations. So, that might explain Ricks' odd billing on these sides.
For me, it is always a treat to share recordings that feature hometown musicians, like Louisville native Johnny Smith. This might not be the most exciting or inspired performances from BG or the rest of the group, but this has to be one of my desert island recordings.
Night's Curtains written by Irwin "Teddy" Williams and Julia Blackshear performed by The Checkers recorded 19 September 1952 issued as King 4581 in November 1952
The Checkers here were John Carnegie (lead), Charlie White (1st tenor), Irwin "Teddy" Williams (2nd tenor), a baritone named "Joe" or "Buddy" and Bill Brown (bass). This was their second of ten released on Syd Nathan's King label.
Nobody Loves Me written by Antoine Domino performed by Fats Domino recorded at the J&M Studio, New Orleans, LA, 10 September 1952 issued as Imperial 5220 in January 1953
Antoine "Fats" Domino - vocal and piano Emmett Fortner - alto sax Herb Hardesty - tenor sax Walter "Papoose" Nelson - guitar Frank Fields - bass Cornelius "Tenoo" Coleman - drums
This single did something that none of the other four singles issued in 1953 did - failed to chart!
Bronzeville Jump written by Bruce Williams, Theodore Rudolph, Solomon Longeneur, and Nance performed by The Three Bits of Rhythm recorded 13 March 1941 issued as Decca 8553 in June 1941
Theodore "Fate" Rudolph (bass), Bruce Williams, and Solomon Laugenour (guitars) - The Three Bits of Rhythm! Other than they recorded for Decca and Modern Music during the early to mid 1940s, I know nothing else about this wonderful group.
Oh Boy written by Eddie Durham & Jimmie Lunceford performed by Jimmie Lunceford & His Orchestra recorded in New York, NY, 23 September 1935 issued as Decca 628 in December 1935
Eddie Tompkins, Paul Webster, Sy Oliver - trumpet Elmer Crumbley, Russell Bowles, Eddie Durham - trombone Willie Smith, Laforest Dent, Dan Grissom, Earl Carruthers, Joe Thomas - reeds Edwin Wilcox - piano Al Norris - guitar Moses Allen - bass Jimmy Crawford - drums
The Longest Time written by Billy Joel performed by Billy Joel recorded at Chelsea Sound and A&R Recording, Inc., in New York, NY, in the Spring 1983 originally released on his "An Innocent Man" album (Columbia QC 38837) on 9 August 1983 single issued as Columbia 39-04400 in March 1984
In the summer of 1983, when the album was released, oldies station WCBS-FM opted to play "The Longest Time" in regular rotation along with the first single "Tell Her About It". At that time, WCBS-FM mixed in some new songs with the oldies. The song got very favorable reviews and the public wanted "The Longest Time" to be the follow up single. Instead, Columbia chose "Uptown Girl" as the second single. Late in November, "The Longest Time" was again passed over for the title song from the album, "An Innocent Man". "The Longest Time" was finally released as the album's forth single.
By the way, Joel takes all 14 vocal parts in this recording. You can listen to the single version or, if you wish, check out the original music video.
Be Anything But Be Mine written by Irving Gordon performed by The Five Keys recorded at the RCA Studios in New York, NY, 4 March 1952 issued as Aladdin 3127 in April 1952
From Newport News, Virginia, The Five Keys were brothers Rudy (1st tenor) and Bernie West (bass), Maryland Pierce (2nd tenor), Ripley Ingram (octave tenor), and Dickie Smith (baritone).
This Heart Of Mine written by Bob Hamilton & Sonny Woods performed by The Falcons issued as Chess 1743 in October 1959
It might be near impossible to truly express the importance of this group in the history of American music in the 20th Century. I can't think of too many other groups that bridged the old "street corner sound" with the new "gospel edged" style soon to be known as soul better than The Falcons. From Detroit, MI, they were Eddie Floyd (lead), Joe Stubbs (tenor), Mack Rice (baritone), Willie Schofield (bass), and Lance Finnie (guitar).
Listen to the lyrics of this beautiful song! This has been one of my personal theme songs for a long time. The scene I imagine is someone kneeling next to their bed praying or lying in bed dreaming of that special someone that remains unrequited. Maybe she knows he likes her or maybe she doesn't because he has not the words to say if he is interested or not. All he really wants is to know is she loves him in return. So, he imagines the best case scenario in his mind, just to ease the pain.
I am really not sure where this recording came from. One version was issued in May 1958 on Robert West's Kudo label. I am fairly sure this was leased to Chess from West but, it is not clear if this was an alternate take from the Kudo session or from a different date altogether. I know, the Kudo original and an alternate take, issued on The Chess Rhythm & Roll Box Set as the "issued take," have been released on compact disc. To my knowledge, this recording has not.
Jimmie Lunceford & His Orchestra: Ragging The Scale (1937)
Ragging The Scale written by Edward Claypoole performed by Jimmie Lunceford & His Orchestra recorded in New York, NY, 15 June 1937 issued as Decca 1364 in August 1937
Eddie Tompkins, Paul Webster, Sy Oliver - trumpet Elmer Crumbley, Russell Bowles, Eddie Durham - trombone Willie Smith, Ed Brown, Dan Grissom, Earl Carruthers, Joe Thomas - reeds Edwin Wilcox - piano Al Norris - guitar Moses Allen - bass Jimmy Crawford - drums
John's Idea written by William Basie performed by Count Basie & His Orchestra recorded 7 July 1937 released as Decca 1363 in August 1937
Buck Clayton, Ed Lewis, Bobby Moore - trumpets George Hunt, Dan Minor - trombones Lester Young, Herschel Evans, Earl Warren, Jack Washington - reeds Count Basie - piano Freddie Green - guitar Walter Page - bass Jo Jones - drums
Written in honor of legendary producer John Hammond.
The Clovers: I'm Confessin' That I Love You (1960)
I'm Confessin' That I Love You written by Doc Daugherty, Ellis Reynolds, and Al Neiburg performed by The Clovers recorded 13 January 1960 released as United Artists 227 in May 1960
The Clovers, here, are Billy Mitchell, Matthew McQuarter, Harold Lucas, Harold Winley, with John 'Buddy' Bailey leading. Most hard core fan write off the later Clovers material but, I think some of their best recordings were done after their tenure with Atlantic.
Smile written by John Turner, Geoffrey Parsons, and Charlie Chaplin performed by Timi Yuro issued as Liberty F-55375 in September 1961
The music was originally written by, silent film icon, Charlie Chaplin as the theme for his 1936 classic, "Modern Times." In 1954, words were added and Nat "King Cole had a hit. But, this is my favorite version, reaching #9 on the Easy Listing charts and #42 on Billboard's Hot 100 in November 1961. Yuro's soulful delivery really sells this for me - good stuff!
Over Again written by Lee Maye performed by The Honorable Fats Wilson issued as Robbee R-116 in September 1961
This was one of the earliest sounds that I picked up on back when I was first starting to sharing these classics, in 2000, on KSDW Internet Radio. It has remained a favorite of mine.
I Wanna Be Loved written by Johnny Green, Edward Heyman, and Billy Rose performed by Dinah Washington
a) with Teddy Stewart's Orchestra recorded in New Yor, NY, 9 May 1950 issued later that month as Mercury 8181
Bennie Powell - trombone Earnie Wilkins - alto sax Cecil Payne - baritone sax Freddie Green - guitar Ray Brown - bass Teddy Stewart - drums all others unknown
Her orginal version made #5 on Billboard's "Race" charts and #22 Pop during June and July 1950.
b) with Quincy Jones' Orchestra recorded in Chicago, IL, 4 December 1961 originally issued as Mercury 72015 in July 1962 heard here as issued on her "I Wanna Be Loved" album (Mercury SR-60729) in September 1962
Joe Newman - trumpet Billy Byers - trombone Jack Wilson - piano all others unknown
This remake made it to #87 on Billboard's Hot 100 in August 1962.
Cab Calloway & His Cotton Club Orchestra: Jitter Bug (1934)
Jitter Bug written by Edwin Swayzee and Cab Calloway performed by Cab Calloway & His Cotton Club Orchestra recorded in New York, NY, 22 January 1934 released as Victor 24592-B in April 1934
Edwin Swayzee, Lammar Wright, Doc Cheatam - trumpet De Preiest Wheeler, Harry White - trombone Eddie Barefield, Arville Harris, Andrew Brown, Walter Thomas - reeds Bennie Payne - piano Morris White - guitar Al Morgan - bass Leroy Maxey - drums
Bob Wills & His Texas Playboys: Snatchin' And Grabbin' (1952)
Snatchin' And Grabbin' written by Fred Rose and Ray Scrivner performed by Bob Wills & His Texas Playboys, vocal by Joe Holley recorded at the WFAA studios, Dallas, TX, 26 March 1952 released as MGM 11241-A in May 1952
Bob Wills, Joe Holley, Keith Coleman - fiddle Eldon Shamblin - rhythm guitar Shorty Messer, Bob White - steel guitar Ocie Stockard - tenor banjo Skeeter Elkin - piano Joe Andrews, Luke Wills - bass Paul McGhee - drums
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Other than my love of radio and music, I am a huge pop culture nut. It fascinates me what is deemed "popular" at any given time. I love trivia! I will whoop most anyone at Scene-It. I rather watch movies than television but, anymore, it is rare if I do either. I tend to get lost in a good non-fiction book, from time to time. Truth is stranger than fiction, you know!
Sometimes, I just like to get out and go for a walk for an hour or so. At times, that is the only thing that clears my mind.
I tend to be an extremely random person. So, I tend to enjoy people that tend to be random, at times. Sometimes, I just enjoy people at random! :0)